One of the best things about living in New York is the Metropolitan Museum of Art. It has been an incredible source of inspiration and information for me since I first moved here. Every year they have a special fashion exhibit starting with the opening ceremony known as the MET Gala. I am always amazed by the spectacular presentations.
This year the exhibit is called Manus X Machina. It “explores how fashion designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear. With more than 170 ensembles dating from the early 20th century to the present, the exhibition addresses the founding of the haute couture in the 19th century, when the sewing machine was invented, and the emergence of a distinction between the hand (manus) and the machine (machina) at the onset of mass production. It explores this ongoing dichotomy, in which hand and machine are presented as discordant tools in the creative process, and questions the relationship and distinction between haute couture and ready-to-wear.”
I tried to pick only my favorites to share with you but it has been hard to choose just a few… From Karl Lagerfeld to original Coco Chanels, Valentino, Givenchy, to one of my favorite dresses of all times- the Dior scalloped evening dress circa fall/winter 1949–1950.
“This extraordinary ball gown by Christian Dior, of gray silk tulle, arrayed with an overlay of scallop-shaped petals The bodice and shell forms of its skirt are embellished with nacreous paillettes and sequins, iridescent seed beads, aurora-borealis crystals, and pearls. Dior is best known for his revival of the wasp-waisted silhouette seen here. His celebrated first collection of 1947 was dubbed the "New Look" by the influential American editor Carmel Snow, because the corseted, full-bosomed, and hourglass shaping had not been seen for decades. In fact, the "New Look" was an old look revived. After the deprivations of World War II, Dior believed that the survival of the haute couture relied on its ability to restore fantasy and luxury to women's wardrobes. The fragile effects of this gown, which merges Second Empire romanticism with the classical iconography of ideal and eternal beauty, recall Dior's belief that "fashion comes from a dream."
House of Givenchy